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What Makes A Great American Song?
For all that composers like Jerome Kern hated jazz and pop interpretations of their work — work generally created, after all, for specific scenes and characters in specific musical plays — Rob Kapilow notes that “it is precisely the freedom to take these canonical works — these ‘standards’ — and continually reinterpret them in the multiplicity of musical languages that have evolved over time that has kept the repertoire alive.” – The New York Times