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“The past two decades have been especially defining for the medium. The Internet, social media, politics, social mores, and public discourse on race and gender have altered dramatically; sketch comedy has not only reflected that, but has also helped propel those changes forward.” – Washington Post Continue reading: Click here Press Release Distribution Service

“The past two decades have been especially defining for the medium. The Internet, social media, politics, social mores, and public discourse on race and gender have altered dramatically; sketch comedy has not only reflected that, but has also helped propel those changes forward.” – Washington Post Continue reading: Click here Press Release Distribution Service

“The past two decades have been especially defining for the medium. The Internet, social media, politics, social mores, and public discourse on race and gender have altered dramatically; sketch comedy has not only reflected that, but has also helped propel those changes forward.” – Washington Post Continue reading: Click here Press Release Distribution Service

“The past two decades have been especially defining for the medium. The Internet, social media, politics, social mores, and public discourse on race and gender have altered dramatically; sketch comedy has not only reflected that, but has also helped propel those changes forward.” – Washington Post Continue reading: Click here Press Release Distribution Service

Inclusion in fairs can be make-or-break for galleries, especially smaller ones. But it feels as though the balance of power is shifting back to exhibitors. This might well be overdue when it comes to the larger fairs, but it puts the organisers of smaller events in a difficult spot in a survival-of-the-fittest world. – The…

The uplifting symbolic content of civic buildings such as the Virginia State Capitol in Richmond or the University of Virginia in Charlottesville came at the expense of human freedom, as slave labor was responsible for both. How could Jefferson countenance the use of slaves in the construction of a democratic architecture? The obvious answer: money.…

The uplifting symbolic content of civic buildings such as the Virginia State Capitol in Richmond or the University of Virginia in Charlottesville came at the expense of human freedom, as slave labor was responsible for both. How could Jefferson countenance the use of slaves in the construction of a democratic architecture? The obvious answer: money.…

The uplifting symbolic content of civic buildings such as the Virginia State Capitol in Richmond or the University of Virginia in Charlottesville came at the expense of human freedom, as slave labor was responsible for both. How could Jefferson countenance the use of slaves in the construction of a democratic architecture? The obvious answer: money.…

The uplifting symbolic content of civic buildings such as the Virginia State Capitol in Richmond or the University of Virginia in Charlottesville came at the expense of human freedom, as slave labor was responsible for both. How could Jefferson countenance the use of slaves in the construction of a democratic architecture? The obvious answer: money.…

The uplifting symbolic content of civic buildings such as the Virginia State Capitol in Richmond or the University of Virginia in Charlottesville came at the expense of human freedom, as slave labor was responsible for both. How could Jefferson countenance the use of slaves in the construction of a democratic architecture? The obvious answer: money.…

The uplifting symbolic content of civic buildings such as the Virginia State Capitol in Richmond or the University of Virginia in Charlottesville came at the expense of human freedom, as slave labor was responsible for both. How could Jefferson countenance the use of slaves in the construction of a democratic architecture? The obvious answer: money.…

For all the lore that exists around “Brooklynese” (not to mention the insistence of the Brooklyn borough president), a pair of linguistics researchers found that there was no evidence for the existence of an accent particular to Brooklyn (as opposed to New York City as a whole) and that roughly three-quarters of respondents, native New…

Inclusion in fairs can be make-or-break for galleries, especially smaller ones. But it feels as though the balance of power is shifting back to exhibitors. This might well be overdue when it comes to the larger fairs, but it puts the organisers of smaller events in a difficult spot in a survival-of-the-fittest world. – The…

Inclusion in fairs can be make-or-break for galleries, especially smaller ones. But it feels as though the balance of power is shifting back to exhibitors. This might well be overdue when it comes to the larger fairs, but it puts the organisers of smaller events in a difficult spot in a survival-of-the-fittest world. – The…

Inclusion in fairs can be make-or-break for galleries, especially smaller ones. But it feels as though the balance of power is shifting back to exhibitors. This might well be overdue when it comes to the larger fairs, but it puts the organisers of smaller events in a difficult spot in a survival-of-the-fittest world. – The…

Inclusion in fairs can be make-or-break for galleries, especially smaller ones. But it feels as though the balance of power is shifting back to exhibitors. This might well be overdue when it comes to the larger fairs, but it puts the organisers of smaller events in a difficult spot in a survival-of-the-fittest world. – The…

Inclusion in fairs can be make-or-break for galleries, especially smaller ones. But it feels as though the balance of power is shifting back to exhibitors. This might well be overdue when it comes to the larger fairs, but it puts the organisers of smaller events in a difficult spot in a survival-of-the-fittest world. – The…